
As for the not having it on film yet......oy.
I think I've only reached the placed in the last few months where I'm ready to do that. I was making it happen over the last couple years but I wasn't able to break it down well or verbalize it.
And I still only do this during specific striking movements. I need to bring it into my transitions...to make use of the dynamics during turns...as an expansion of the tenshin concept.
And having said all those excuses - I've got access to a good camera and broadcast editing equipment. So I have no excuse. I'm terrible at the down-convert and have no idea what kinds of codecs to use that the rest of the world can see. But I'll make it my project this winter to get elements on tape.
Bill's doing a good job of quantifying this approach. And just a side note - Mr. Takara never showed anything of the big exaggeration. He only (and often) said "coordinate your whole body with every movement." The exaggeration is really Mr. Nakamatsu's baby.
Bill your writings remind of something you said awhile back about Gushi Sensei - that he'd never seen a Sanseiryu soft enough for his liking. I think this approach goes in that direction. I know you saw Chris do his Sanseiryu - he's further along than path than I am. He's got that kind of natural grace I'm trying to create.
Anyway - late on Friday. Time to go home!!!!
Dana